Theodor Adorno s Influence On Popular Music - 2850 Words

Theodor Adorno was an important member of the Frankfurt School, which developed ideas of critical theory and cultural Marxism. Adorno adopted a Marxists approach in his work, especially among his work as a musicologist, seeing propaganda within popular music. He saw music as thought provoking and believed that it prevented its listeners from having real thought, he wanted people to challenge the way they listened to popular music. In his article On Popular Music, which he had written in 1941, Adorno speaks about how he believed there were two spheres of music, popular and serious music. About the standardisation in popular music, in which it followed certain patterns which created pseudo-individualism. Also on how popular music affects its listeners in different ways compared to serious music. As a Marxist philosopher, Adorno was an idealist for the idea of capitalism, also as a Marxist sociologist he had an understanding of society and the idea of there being two different classes i n all aspects of culture and society. Firstly Adorno addresses the differences between ‘popular’ and ‘serious’ music. Adorno described classical music as classical, although he does say that much of what people would place in the classical category is really just popular. [1] Also when Adorno refers to popular music he is refers to anything that is composed purely for entertainment. David Held points out the different characteristics of ‘serious’ and ‘popular’ music. For ‘serious’ music â€Å"EveryShow MoreRelatedCulture is a Mean of Social Control: Theodor Adorno998 Words   |  4 PagesTheodor Adorno is a representative of the Frankfurt School of Sociology, where the main theories and ideas were influenced by Karl Marx’s work. 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